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Events in the 2006 Independents Biennial Liverpool
 Evening of hypnotic subterranean soundscapes in Liverpool’s Williamson Tunnels
Noise Club / Hyperion (Tuesday 22 August 2006)
The Williamson Tunnels’ unique acoustics and atmosphere provide a stunning backdrop for Noise Club’s distinctive blend of audio-visual experimentation. Featuring a diverse array of instrumentation – from the violin and guitar to laptop, bulbul tarang and sonic sculpture – accompanied by live drawing and video projection. |
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A collection of evocative paintings..."at last something different!"
on Monday 28 August 2006 My paintings are crafted over a period of time to delight with colour, composition and content, leaping out, questioning and provoking the viewer, evocative, lively and intrigueing images constructed using the artist's lifelong ethic namely to...
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Museum MAN ANOTHER VACANT SPACE Blueprints II Blueprints II Berlin
- Contributing Artists
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Mobile Artwork With the desire and laughter of consumerism Jacques Chauchat from Paris and Ben Parry from Liverpool unite forces to create a sonic junk street machine. A fully charged 1975 Milk Float and the detritus of the city undergo a metamorphosis to become the electro-mechanic orchestra. Forty-five cubic metres of KLING, CLUNK, SLASH and BOOM |
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Created by David Buckland, Cape Farewell has led three expeditions into the wild, beautiful and icy High Arctic Art in a Changing Climate Cape Farewell - The Art of Climate Change
National Museums Liverpool: 16 September - 26 November, open daily 10am-5pm
Liverpool School of Art & Design 68 Hope Street Gallery: 12 September - 6 October, open Monday to Thursday 10am-4pm, Friday 10am-2pm
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 Online Exhibition of Worldwide Digital Art
The digitalshow.co.uk website shows online-only exhibitions of high quality digital art.
The first exhibition is part of the 2006 Liverpool Biennial Independents.
The site will continue with further exhibitions and a permanent archive of all shows.
Entry is open to all worldwide
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 Gumbo on-line - no need to get out of your chair
"Gumbo" on-line
S: So tell me about the new piece
P: "Gumbo"
S: It's a soup?
P: Kinda - various ingredients, cooked up
S: So it's food?
P: More a history
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 A curators choice of some of the finest figurative painters working, living or born in the North West.
This is the launch exhibition of Cube noir, Liverpool's newest and coolest exhibition space. It is housed in The Albany, a beautiful refurbished Victorian building designed by JK Colling, who also designed the National Portrait Gallery.
The exhibition showcases some of the most talented artists currently working, living or born in the North West of England, all selected by Gareth Kemp, curator of Cube noir. |
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 'coffee table' paintingsThese 'coffee table' paintings show yesterday's magazines printed with last weeks news a year into the future!
This is the latest work by Liverpool based talent, Tim Ellis. It is his farewell to the city before starting his MA at the prestigious Royal Academy. |
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Museum MAN Mai Ghoussoub was Born in Lebanon Mai Ghoussoub studied at the Ecole des Beaux Arts Lebanese University before graduating from AUB (American University of Beirut). She moved to London during the war in Lebanon and studied sculpture at Morley College (Henry Moore Studio) and co-founded Saqi Books. Since the 1980’s she has been combining her activities as an artist, a writer and a publisher: ‘ I write for my sculptures and I sculpt for my words’. Her work has featured in many exhibitions including Under Different Skies, Copenhagen (1996), and Displaces, an installation on the theme of refugees at the Shoreditch Town Hall, London (1998). In 2000, she premiered ;'Divas' - an installation and theatrical performance - in Beirut, Paris, Newcastle and London.
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Mapping urban wastelands to investigate their ecological value and their potential for ‘experiencing wildlife’ “Natural Succession” is a process led art and ecology project initiated by environmental artist Kerry Morrison and botanist Dr Alicia Prowse.
Morrison and Prowse’s shared interest in plants that grow in the wrong places has resulted in a collaborative partnership, investigations into choices that are made and decisions that are taken that both change and shape landscapes. (www.morrison-prowse.com/)
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Public exhibition of a once private space threatened by public Nothing is Private
5 bedrooms, 2 reception, large newly fitted kitchen, bathroom and second WC.Next to the world-renowned Princes Park, with good amenities, great neighbours, and excellent transport connections.
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 An exhibition of paintings by Gareth Kemp inspired by the beautiful game, showing that football, like art, has a knack of imitating and reflecting life and the world it exists in
All paintings are for salle
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 Large colour photographs of Chavasse Park in central Liverpool made during the archaeology “dig” and the subsequent excavation and construction works of the same site for the Paradise development.
These documentary photographs can be seen in Parklands Community Library in Speke - a few minutes drive from Liverpool Airport. Additional prints can be seen in the window only from the public footpath just outside the library, 24/7. Images are on a large scale up to 6x7ft (1.8x2.2m).
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Group exhibition of ceramic sculpture in Lewis's department store.
To celebrate the 150th anniversary of Lewis's department store and the 50th anniversary of The Spirit of Liverpool statue by Epstein on the front of the building, 20 local artists were invited to display their work in order to highlight the diverse range of contemporary sculpture being made in clay.
The curators, Chris Turrell and Jola Kurzeja - Ryan, were keen to challenge and provoke the image of clay as a functional, craft medium and to promote local artistic talent alongside the international Biennial artists.
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Artists who work within the Liverpool Art World slog it out in an exhibition with a competitive edge.
This exhibition showcases work produced by workers of two of Liverpool\'s biggest art institutions. Usually these artists work behind the scenes as curators, information assistants, art handlers, educators but during the biennial there will be a role reversal!!
Please see website for a comprehensive list of artists.
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 A photographic odyssey in a caravan: distressingly perceptive, seriously thought provoking, beautifully absurd
The Caravan Gallery is a mobile exhibition venue and visual arts project run by Jan Williams and Chris Teasdale (authors of 'Welcome to Britain - a celebration of real life') who are on a mission to photograph the ordinary and extraordinary details of contemporary leisure, landscape and lifestyle. Eager to examine cliches and cultural trends they are drawn to the absurd anomalies and curious juxtapositions typical of places in transition as regeneration fever spreads. Many of these images find their way onto custom made postcards that show it exactly as it is.
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 From 15th Sep "The Northwest Passage" by Mcfaul and Love
The Northwest passage is an imaginative conduit for two of the most provocative and enquiring design studios, Mcfaul and Love, whose origins root firmly in the Northwest. Taking its inspiration from the tidal ebb and flow of the Mersey and the constant flux of people moving through the region throughout its history The Northwest Passage provides a restless forum for collaborative thought and artistic debate mediated on the notion of progress and transition.
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 Exhibition of 4 prominent Chinese artists taking place in several locations in the public domain.
The exhibition is a group show of prominent Chinese artists, commissioned to produce new work for the Liverpool Biennial 2006. Curator: Gu Zhenqing
Assistant Curator: Leo Xu
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Window frames on derelict buildings are transformed into a series of new paintings. Glancing up at the 1st floor windows of a block of derelict buildings on Knight Street – the viewer may see a series of windows showing the effects of years of neglect. The window frames and glass have been ‘patched-up’ sometime in the past, using some adapted black bin liners and various parcel/masking/hazard tapes. These too are now showing signs of deterioration, and hang precariously from their frames. |
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