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		<title>Burnt Wood Circle comes home for Biennial</title>
		<link>http://www.independentsbiennial.org/2012/05/06/burnt-wood-sculpture-comes-home/</link>
		<comments>http://www.independentsbiennial.org/2012/05/06/burnt-wood-sculpture-comes-home/#comments</comments>
		<pubDate>Sun, 06 May 2012 20:21:03 +0000</pubDate>
		<dc:creator>Carolyn_Shepherd</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Carolyn Shepherd]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Latest]]></category>
		<category><![CDATA[Listings 2012]]></category>
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		<category><![CDATA[Venues 2012]]></category>
		<category><![CDATA[Biennial]]></category>
		<category><![CDATA[bold street]]></category>
		<category><![CDATA[bombed out church]]></category>
		<category><![CDATA[carolyn shepherd]]></category>
		<category><![CDATA[Liverpool Biennial]]></category>
		<category><![CDATA[Liverpool Independents Biennial]]></category>
		<category><![CDATA[St Lukes Church]]></category>
		<category><![CDATA[the bombdie]]></category>
		<category><![CDATA[urban strawberry lunch]]></category>
		<category><![CDATA[USL]]></category>

		<guid isPermaLink="false">http://www.independentsbiennial.org/2012/05/06/burnt-wood-sculpture-comes-home/</guid>
		<description><![CDATA[The Burnt Wood Circle is coming home!  This much loved evocative circle of dramatic pointed spires of burnt wood, inspired by the charred wood roof structure of St Luke&#8217;s (The Bombed Out Church) at the top of Bold Street is back for the Biennial &#8211; 16th Sept to end Nov.  Its down at Buckfast Abbey ]]></description>
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		<title>A little info about stats</title>
		<link>http://www.independentsbiennial.org/2012/05/06/a-little-info-about-stats/</link>
		<comments>http://www.independentsbiennial.org/2012/05/06/a-little-info-about-stats/#comments</comments>
		<pubDate>Sun, 06 May 2012 07:19:50 +0000</pubDate>
		<dc:creator>Wendy_Williams</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Featured]]></category>

		<guid isPermaLink="false">http://www.independentsbiennial.org/?p=3706</guid>
		<description><![CDATA[Today, I’m going to talk about statistics, so if you want to switch off and make a cup of tea, now is the time to do it. Why would I want to post something so boring anyway? Well… this all came about after a recent discussion when I quoted some facts and figures about the ]]></description>
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		<title>Registered Artist &#8211; Wendy Williams</title>
		<link>http://www.independentsbiennial.org/2012/05/04/registered-artist-wendy-williams/</link>
		<comments>http://www.independentsbiennial.org/2012/05/04/registered-artist-wendy-williams/#comments</comments>
		<pubDate>Fri, 04 May 2012 14:43:58 +0000</pubDate>
		<dc:creator>Wendy_Williams</dc:creator>
				<category><![CDATA[2012 Artist Profiles]]></category>
		<category><![CDATA[Artists 2012]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Wendy Williams]]></category>
		<category><![CDATA[Liverpool artist]]></category>
		<category><![CDATA[Liverpool Biennial]]></category>
		<category><![CDATA[Liverpool Independents Biennial]]></category>
		<category><![CDATA[Paper Installation]]></category>

		<guid isPermaLink="false">http://www.independentsbiennial.org/?p=3634</guid>
		<description><![CDATA[I have been working with paper for a few years now, finding the medium useful for several reasons. It is easy to carry, manipulate, it&#8217;s form can be changed, printed on, cut, dissected, but most importantly for me &#8211; it is disposable. I began making work that can be discarded if needed, after being invited ]]></description>
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		<title>Registered Artist &#8211; Susan Lee Brown</title>
		<link>http://www.independentsbiennial.org/2012/05/04/registered-artist-susan-lee-brown/</link>
		<comments>http://www.independentsbiennial.org/2012/05/04/registered-artist-susan-lee-brown/#comments</comments>
		<pubDate>Fri, 04 May 2012 11:00:40 +0000</pubDate>
		<dc:creator>MTPT</dc:creator>
				<category><![CDATA[2012 Artist Profiles]]></category>
		<category><![CDATA[Artists 2012]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Susan Brown]]></category>

		<guid isPermaLink="false">http://www.independentsbiennial.org/?p=3628</guid>
		<description><![CDATA[Observing the recent regeneration of the City of Liverpool I was struck by what was lost and gained. Some research made me aware of how things are constantly lost to us, why they are no longer part of our world and how these &#8216;lost&#8217; items influence our current situation. My solo exhibition, 15 September to ]]></description>
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		<title>Barrie West &amp; Urban Stories</title>
		<link>http://www.independentsbiennial.org/2012/05/02/barrie-west-urban-stories-2/</link>
		<comments>http://www.independentsbiennial.org/2012/05/02/barrie-west-urban-stories-2/#comments</comments>
		<pubDate>Wed, 02 May 2012 22:50:01 +0000</pubDate>
		<dc:creator>Barrie_West</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.independentsbiennial.org/?p=3608</guid>
		<description><![CDATA[Urban Stories is the culmination of nearly three years work, and the summation of a life time of experiences, in four large abstract boards. Poetry and creative writing accompanies, and sometimes performed with the work, in an attempt to interpret and reinterpret our life experiences. The central conceit is that our daily lives are made ]]></description>
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		<title>Registered Artist &#8211; Sharon T Ross</title>
		<link>http://www.independentsbiennial.org/2012/04/30/registered-artist-sharon-t-ross/</link>
		<comments>http://www.independentsbiennial.org/2012/04/30/registered-artist-sharon-t-ross/#comments</comments>
		<pubDate>Mon, 30 Apr 2012 09:18:21 +0000</pubDate>
		<dc:creator>Sharon_Ross</dc:creator>
				<category><![CDATA[2012 Artist Profiles]]></category>
		<category><![CDATA[Artists 2012]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Sharon T Ross]]></category>
		<category><![CDATA[abstract figurative]]></category>
		<category><![CDATA[expressive]]></category>
		<category><![CDATA[Figurative]]></category>
		<category><![CDATA[Landscape]]></category>
		<category><![CDATA[Liverpool artist]]></category>

		<guid isPermaLink="false">http://www.independentsbiennial.org/?p=3557</guid>
		<description><![CDATA[Artist Statement &#8211; Sharon T Ross My figurative works are literal and abstract. They concern dissimulation, and how true feelings can be hidden behind a mask. The landscapes deal with the spirituality of both the artist and the subject, containing both a calming influence and emotive feeling through the atmospheric nature of the subject. My ]]></description>
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		<title>Registered Group &#8211; Re-View Textile</title>
		<link>http://www.independentsbiennial.org/2012/04/29/registered-group-re-view-textile/</link>
		<comments>http://www.independentsbiennial.org/2012/04/29/registered-group-re-view-textile/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 12:00:35 +0000</pubDate>
		<dc:creator>MTPT</dc:creator>
				<category><![CDATA[2012 Venue Profiles]]></category>
		<category><![CDATA[Re-View Textile]]></category>
		<category><![CDATA[Venues 2012]]></category>

		<guid isPermaLink="false">http://www.independentsbiennial.org/?p=3551</guid>
		<description><![CDATA[Details coming soon&#]]></description>
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		<title>Registered Artist &#8211; Janine Whitling</title>
		<link>http://www.independentsbiennial.org/2012/04/29/registered-artist-janine-whitling/</link>
		<comments>http://www.independentsbiennial.org/2012/04/29/registered-artist-janine-whitling/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 11:49:21 +0000</pubDate>
		<dc:creator>MTPT</dc:creator>
				<category><![CDATA[2012 Artist Profiles]]></category>
		<category><![CDATA[Artists 2012]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Janine Whitling]]></category>

		<guid isPermaLink="false">http://www.independentsbiennial.org/?p=3545</guid>
		<description><![CDATA[Contemporary Visual Artist, Brisbane, Australia Artist Statement My entry into the arts professionally began in December 2009 after completing a Master of Contemporary Arts specializing in painting and works on paper. I have continued to develop my artwork using these mediums preferring materials such as acrylic, ink, handmade paper and canvas. My work is informed ]]></description>
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		<title>Registered Artist &#8211; Jacqui Chapman</title>
		<link>http://www.independentsbiennial.org/2012/04/11/registered-artist-jacqui-chapman/</link>
		<comments>http://www.independentsbiennial.org/2012/04/11/registered-artist-jacqui-chapman/#comments</comments>
		<pubDate>Wed, 11 Apr 2012 11:00:20 +0000</pubDate>
		<dc:creator>Jacqui_Chapman</dc:creator>
				<category><![CDATA[2012 Artist Profiles]]></category>
		<category><![CDATA[Artists 2012]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Jacqui Chapman]]></category>

		<guid isPermaLink="false">http://www.independentsbiennial.org/?p=3454</guid>
		<description><![CDATA[Originally from South Africa, I immigrated to England in 1995. My work explores the relationship in us between identity and territory and demonstrates that they are integral to what we are. I am interested in the idea of homeland, living in exile and national identity as told in close up histories, in literature, philosophy and ]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Registered Artist &#8211; Michele Howarth Rashman</title>
		<link>http://www.independentsbiennial.org/2012/04/10/registered-artist-michele-howarth-rashman/</link>
		<comments>http://www.independentsbiennial.org/2012/04/10/registered-artist-michele-howarth-rashman/#comments</comments>
		<pubDate>Tue, 10 Apr 2012 11:00:24 +0000</pubDate>
		<dc:creator>MTPT</dc:creator>
				<category><![CDATA[2012 Artist Profiles]]></category>
		<category><![CDATA[Artists 2012]]></category>
		<category><![CDATA[Michele Howarth Rashman]]></category>

		<guid isPermaLink="false">http://www.independentsbiennial.org/?p=3508</guid>
		<description><![CDATA[Each hand worked, micro stitched, mixed media sculpture is built up layer upon layer, taking many weeks or months to complete. I use a unique and painstakingly meticulous process that I have developed and refined over many years. It is a defiantly unmanly method of working in a persistently macho art world and magnificently out ]]></description>
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